Home » Headline

The Art of Practice – Why Photographers Need to Shoot Every Day

23 April 2012 3 Comments

by Darwin Wiggett

Les’ Note: I am so pleased to offer you, my regular blog readers, this guest blog by my colleague, Darwin Wiggett. Darwin is one of Canada’s top professional landscape/nature photographers and a man whose body of work I have admired for years. His creativity and passion never cease to amaze me. Enjoy!

Musicians have scales, actors have lines, painters have sketches, and athletes have workouts. Photographers have what? While all other artists have a daily routine to practice their craft, most photographers only dust off the camera when they go on a planned shoot. Imagine if musicians only played whenever they had a gig and did not practice in the time in between—can you imagine the results? Why, as photographers, do we expect that we will perform wonderfully every time we go out even without practicing in between?

Nothing will sharpen both your technical skills and your artistic eye faster than daily practice. Visual ‘scales’ do for the photographer what musical scales do for the musician; we constantly stay ‘tuned’ up and ready to express our art.

I know we all have really busy lives, so who has time to shoot every day? You might think it’s easy for me as a professional photographer to shoot daily–after all that is my job isn’t it? But to make it as a pro, you need to do some heavy marketing and selling. I only get to go on photo shoots about 1/3rd of the time, the other 2/3rd is spent doing the business part of photography (yech!). In the past, I found that between shoots I was not practicing with my camera and that my art was suffering. It often took 2 or 3 days into a trip to get back into ‘seeing’. I was not practiced and ready.

image by Darwin Wiggett

For the last two or three years I have begun to carry a small point-n-shoot digital camera with me everywhere I go. I do not have to carve out special time to shoot daily; I just take a snapshot here and there in my day as I see something interesting. I might be walking the dog, or standing in line at the bank, doing dishes or visiting the washroom. But if something catches my eye, I make an image. Now I am doing a little photography almost every day and the differences I have seen in my ability to see and be creative is amazing. I no longer have any ‘photographer’s block’ and I no longer need to ‘warm up’ before going on a serious photo shoot. I see photos everywhere!

image by Darwin Wiggett

Even though I am a nature photographer, anything that catches my eye can become a photo. The great thing about shooting daily is that soon you’ll begin to remove labels from subjects and just learn to see light, pattern, form and design. You’ll see beauty in the mundane, and you’ll be inspired anywhere you go from the park to the parking lot. The better you become at photography in general, the better you’ll be at outdoor photography in particular. So do not restrict yourself to pretty nature scenes.

image by Darwin Wiggett

Although I have mentioned the wonders of a point-n-shoot camera here before, I really think anyone who is serious about becoming a better photographer should invest in one and carry and use it. You’ll really see the huge benefits of practice. Happy shooting.

Darwin Wiggett is a landscape and nature photographer who is part of the team that runs www.oopoomoo.com a site on photography and healthy living.

  • http://wordpress.nomadruss.com Russ Taylor

    I’ve got an iPhone and it’s the best thing that’s happened to me as a photographer. That way my phone is always in my pocket and I find myself making photographs daily. Appreciate the encouragement!

  • http://www.vividaspectphoto.com Royce Howland

    Great advice! Over the past couple of years, I’ve really come to appreciate the impact of this statement: “Even though I am a nature photographer, anything that catches my eye can become a photo. The great thing about shooting daily is that soon you’ll begin to remove labels from subjects and just learn to see light, pattern, form and design.”

    Creative muscles need to be stretched in all kinds of ways to fully develop their potential, even if the genre or subject material of one’s work lies mainly in a specific area. The work-out discipline of any top musician, athlete, artist or just about any other A-level practitioner of anything probably takes advantage of a broader scope of activity during “practice”, in order to hit a higher peak during the more narrowly-focused main event.

    This is one advantage of carrying a small camera around constantly, and getting into the habit of pulling it out at the drop of a hat. For me, the bigger rig usually only comes out when I’m going out to intentionally photograph something, and that in turn usually means I’m working in my main space of subject material and style. Being able to creatively stretch outside of those limits often is easier when I’m more fluid & responsive to what’s around me, and having a small camera at hand helps with that…

  • http://www.lesterpickerphoto.com Les

    Russ and Royce:

    I agree. I’m already taking Darwin’s advice and have borrowed my wife’s Canon G12. But I also use my iPhone all the time to catch fleeting scenes.

    I remember watching Darwin use his point-and-shoot to take pictures of a parking lot!?!! I thought this guy is nuts, but I love his spontaneity, grit and the pure joy and passion in his images. We’d all do well to follow his advice. (His blogs are also fun).

    Les